How To Set Up A Guitar Amp

If yous have bought a guitar amp or are thinking about upgrading your amp, this guide is for you.

This guide volition show y'all how to get the well-nigh out of your amp by showing you how to get an expert in your guitar amp's settings.

Want to upgrade your practice amp to a big high-powered stack? Read this guide beginning

This guide is and then important considering of something I see too ofttimes as a guitar teacher. I often meet students 'upgrading' their amps considering they're not happy with the tone their current amp produces. It unremarkably happens similar this:

1. The pupil buys a new amp and plays around with it for a couple of weeks. Eventually, they get frustrated because it's non producing the tones they want so they go to the guitar shop.
2. The salesperson tells them that their current amp isn't suitable for the manner they desire to play and they recommend something else.
3. The salesperson demos the amp and the student buys it because it matches the tone they're afterwards.
4. After a few weeks, the student gets a bit frustrated because they're unhappy with how information technology sounds….

This has happened to quite a few of my students over the years. Before we dig into guitar amp settings and how to dial in a great tone on whatever guitar amp, let's look at what's the problem is and how yous tin can avoid it:

People take dissimilar ideas on which amps are suitable for different styles

If you want to play a certain style, people will first suggesting different guitar amps to suit that fashion. While those suggestionsmight exist helpful, what normally happens is it causes y'all to incertitude your own amp choice (if you already have one).

So if you have amp X and somebody tells you amp Y is great for the manner you want to play, you will start doubting amp Xeven if that amp is perfect for that manner.

If y'all're non sure what blazon of guitar amp is correct for yous, read through my Guide on Types of Guitar Amps.

The salesperson at the guitar store (or any other experienced guitarist) knows how to punch in good tones with well-nigh any amp

One of my students bought an unsuitable amp (in my opinion) on the spot because the guitar salesperson dialed in a neat tone at the store. An experienced guitarist can make virtually any amp sound not bad just like an advanced guitarist can brand a cheap guitar audio far ameliorate than information technology is.

Then if you go to the guitar shop in search of an amp, exist aware that information technology'southward very like shooting fish in a barrel for the salesperson to brand one amp sound meliorate than another.

It'due south besides worth mentioning that there are many tricks some salespeople will utilize to make one amp sound superior to some other. For example, having one amp slightly louder than another amp tin can be all it takes to make that person believe that the louder amp is superior. This is used often in the hi-fi and domicile theater industry – to make a more expensive unit sound better they but raise the volume slightly.

Proceed this in mind when you're comparing guitar amps – even so-called 'audiophiles' can be easily tricked with the correct conditions.

Blaming gear isn't the answer

Getting frustrated at your gear because you tin can't reproduce a tone you hear in a song is a common problem most beginners and intermediate guitarists experience.

I've heard of beginners buying $2000+ amp stacks because they idea that buying loftier-priced gear will give them groovy tone. That'south what the amp makers want you to believe! This guide volition steer yous abroad from that line of thinking.

Guitar Amp Settings Presets (and why you lot should ignore them)

One reason why I created this guide is that I saw how many websites list different guitar amp settings or presets. Y'all volition see a lot of websites list guitar amp presets like:

Metal: Drive x, Bass 10, Mid 1, Treble vii, Vol 8

BLUES: Drive three, Bass 2, Mid v, Treble 2, Vol 6

Rock: Drive 7, Bass 5, Mid 7, Treble vii, Vol 7

The major trouble with guitar amp presets is that every guitar amp is different so the presets are useless. If you lined up 10 different guitar amps and set them all with the exact aforementioned preset, each one would still sound completely dissimilar.

Read the comments on those websites and you will see countless people complaining that they followed the communication and it didn't give them the tone they wanted.

Fifty-fifty if you have the aforementioned amp equally the person making the recommendations, your guitar and pedals will change your results.

The goal of this guide is to teach you to employ your ears and figure out the correct preset for whatsoever state of affairs on your ain. If yous follow the advice in this guide you will never demand to await up some other guitar amp settings preset again.

The main lesson here is that guitar amp settings presets don't teach you how to use your guitar amp or how to dial in good tones.

Guitar Amp Nuts

Let'due south commencement by getting a general feel for the typical controls on guitar amps. The three examples below are very dissimilar from each other, just y'all volition notice some similarities in the controls.

There are endless other amps out there with different controls, and then the three below will give you a proficient idea of what to await.

The Fender Mustang I shown above is a digital modeling amp which is why the section on the right of the to a higher place photo is then unlike from traditional guitar amp controls. A lot of modernistic combo amps have some effects born and many give the option to salvage different presets.

Older combo amps may be express to reverb as the only onboard effect. Here are the main controls worth mentioning:

• Gain knob
• Volume knob
• Treble & Bass knobs
• Master knob
• Preset knob with LED indicators
• Modulation & Filibuster/Reverb knobs

This amp gives a wide range of channel options and models different types of amps which is becoming more than and more mutual with combo amps.

The Marshall MG15DFX above is an example of a small combo amp with a few built-in effects. It's also simpler than the Mustang I shown earlier. Here are the main controls worth mentioning:

• Volume knob under 'Clean' aqueduct
• Gain & Volume knob under 'Overdrive' channel with an 'OD select' button
• Bass, Contour & Treble knobs
• Preset/Adjust & FX level knobs for digital furnishings

The beneath amp is a Peavey 6505+ caput unit. While it might look daunting compared to the above examples, when y'all await closer information technology becomes clear that this amp is really pretty basic.

The unit has ii channels with independent controls. So while it looks like a lot of knobs, it's but considering each channel has dedicated controls rather than master controls. This means you can set dissimilar EQ settings for the 'Rhythm' or 'Lead' channels. Here are the main controls:

• Pre & Post gain knobs (one set for each channel)
• Depression, Mid & High EQ knobs (i set for each channel)
• Resonance & Presence knobs (one set for each channel)

When we compare the three amps higher up, nosotros can see that they all offering:

• Gain options (either one or ii proceeds knobs per channel)
• EQ options (some combination of Bass, Mid, Treble)
• Channel and main volume options

That'southward what this guide will focus on and by the end, you will exist able to tweak these controls on any amp to produce the tone you lot want. Your amp may have more or fewer controls than the examples above, but the chief features to pay attending to is gain, EQ, and volume.

Think of those controls as the core of your tone. Other features such as inbuilt effects are something yous consider later on.

Getting a Expert Clean Tone

Learning how to go a skilful clean tone is an important starting step

Let'southward starting time with the most basic affair you can practice with your guitar amp: getting a clean tone. This is a skillful starting point every bit it will get you comfortable with how the gain, EQ, and book controls all contribute to your overall tone. It will also emphasize the importance of pickup selection.

ane. Select your clean aqueduct or turn the proceeds downward if yous don't accept multiple channels

Many modern amps will have multiple channels and so select a make clean channel to get y'all started. If your amp has multiple clean channels (eg: a digital modelling amp with a few different clean options), option any for now.

2. Turn off all amp effects and upshot pedals

At this point, all you lot want is a very clean and dry sound without any effects. Plough off any compressors, boosters, filibuster, reverb or anything else that might be on. When you play your guitar it should audio dry out without any hint of effects or any grit or distortion.

This is important considering information technology gets you thinking nearly the underlying tone earlier you utilize whatever effects. Quite often people get-go with effects (eg: delay) on and it distracts them from kickoff setting up a practiced clean tone. So offset with everything else off.

On a lot of digital amps, the clean setting may exist a preset with some furnishings built-in. So even if y'all have an option for clean, double check to brand sure all the furnishings are turned off.

3. Bring the bass, mid & treble knobs all to 12 o'clock

Every bit explained before, every amp is different, but with well-nigh amps this should be a neutral setting for EQ. Using this as your starting point will give you a experience for your amp'southward natural tone before you start tweaking it. Set your amp'south EQ knobs to look like to below:

Starting with your EQ equally flat as possible allows you to get a good experience for the natural audio of your amp. Yous can always tweak the EQ afterwards on, so even if you don't like what yous hear now, it's expert to get a basic starting betoken.

4. Keep the gain fairly low and adjust the book to a suitable level

With some amps, if you roll the gain knob to zero it cuts the signal. Go along the proceeds low enough that y'all can still hear your guitar and adjust the volume up or downwardly to bring information technology to a comfortable level.

When you hit a chord difficult you shouldn't hear whatever blazon of distortion at all and it should die off naturally. If you lot do hear a flake of dust or breakup in your tone, back the gain off.

You probably won't like the sound of a very dry out amp, only don't worry. This is just to give you a baseline. You volition be able to roll the gain back in afterwards to find the tone y'all're afterward.

five. Jam for a while to go a feel for the tone

Spend at least a infinitesimal jamming then change to a different pickup. Spend at to the lowest degree a minute on each pickup combination to get a feel for how each pickup sounds. Don't worry if the tone sounds bad as you will presently tweak it to your liking.

6. Think about what you like about the tone and what you don't like about it

This is an of import step and then don't skip ahead to making adjustments yet! Learning how to think critically about your tone before you brand adjustments is how you will get a good tone in the end. Randomly tweaking knobs or calculation in stompboxes won't teach yous to control your tone.

At get-go, it will exist difficult to describe what you lot like/dislike near your tone. Hither are some basic examples of what you lot might be thinking:

• It sounds as well muddy
• Information technology sounds thin and hollow
• I'm getting a twangy sound
• I like how crystal clear it sounds
• It produces a weird boomy sound when I play chords

Over fourth dimension yous will be able to become more than specific well-nigh what yous like/dislike well-nigh your tone so spend a few minutes now trying to draw your tone.

7. Start making small adjustments to fix any bug you hear

The previous pace is then of import because y'all demand to first know what yous don't like almost your tone before you make whatsoever changes. Tweaking knobs without a specific goal won't help you get a good tone.

At first, you may non know how to fix a problem such as 'it sounds thin and hollow', simply this experimenting stage volition teach you how each knob affects your tone. So while I'd like to give you a recipe for fixing any possible issues, yous won't learn much from information technology.

Here's an example of the blazon of experimenting to get through when trying to fix a problem or make an improvement:

Let's say y'all feel your tone is thin and hollow.

1. Kickoff by turning the bass knob upwards and jam for a bit with each pickup. Did that fix the problem? The chances are it will however sound sparse but now has a more boomy sound. Turn the bass knob back.
2. Plow the mid knob up. Did that fix the problem? This time it will probably audio muddy as if the amp was made out of cardboard. Turn the mid knob back.
3. Turn the treble knob up. Did that fix the problem? Information technology'southward similar it will sound even thinner but now have a bright or shimmering sound. Plow the treble knob dorsum.
4. Plow the gain upwards and adjust the book down to compensate. Did that gear up the problem? It's likely that it fills out your tone but yous still feel it's a bit hollow. If this fabricated an improvement, you would then keep by either trying to raise the gain some more or keep the change and get back to the EQ knobs to further better the results.

So for this example, you might find that turning the proceeds up and adjusting the bass and mid knobs solves the problem.

Call up of the above example as a style to figure out how to overcome any problems in your tone. Get through each setting one at a time to figure out which setting helps solve the problem. At that place isn't a rulebook that gives perfect solutions to any problem so that's why this process is important to acquire.

Once you lot solve whatsoever upshot or problem you hear in your tone, y'all can shift your focus to annihilation else that doesn't sound quite correct. The main lesson here is that the only fashion you volition be able to end upwards with a great tone is if yous take the fourth dimension to learn how each knob impacts your overall tone.

8. Add in any effects you want after you're happy with your tone

A skilful filibuster can heighten your clean tone

Merely after y'all have tweaked your manner to a tone you're happy with should yous even consider adding any other effects or pedals into the mix. The reason is that you want your other pedals to raise your tone – not to try and ready a crappy tone. A lot of people become this the wrong way around and showtime buying pedals to fix a bad tone.

Don't buy more gear because you're unhappy with your tone. Get your clean tone into a adept position then yous can look at how your other pedals might enhance your tone.

When you lot do add together whatsoever effects in, first with the mix of the outcome low and slowly raise it until y'all detect the right level. Information technology might sound practiced to crank the effect up, but in most situations having the effect a bit lower in the mix ends up with better results.

If your amp doesn't have inbuilt effects or y'all prefer to utilize pedals, hither are a couple of guides to help you find suitable pedals for your clean tone:

• Best Delay Pedals – filibuster is a neat way to requite your clean tone a fuller sound
• All-time Reverb Pedals – while not as popular as filibuster, reverb can make your clean tone feel more lively – especially at home
• Best Compressor Pedals – you'll be surprised by how much a compressor pedal can enhance your make clean tone

nine. Endeavour coming up with different types of make clean tones

Listen to a few different songs or guitarists using clean tones and yous will hear a wide range of unlike sounds. Some guitarists like a rich tone full of sustain to the point where it almost sounds like overdrive. Others similar a burnished-like tone while some prefer a bit of grit in their clean tone to give it some edge.

Try to experiment with your clean tone to get a feel for the overall range your amp has to offer. The more than distinct clean tones you tin can produce with your amp, the more than options you will have after on then it's worth the fourth dimension spent experimenting.

Here are a few examples of songs with make clean tones you might want to endeavour replicating:

• Sweet Abode Alabama – Lynyrd Skynyrd (a very twangy clean so make sure you consider your pickups)
• 1 – Metallica (listen to the difference in tone between the rhythm and lead tones in the intro and effort to replicate both)
• Royal Rain – Prince (first try to replicate the silky make clean tone before you add together any effects)
• Little Wing – Stevie Ray Vaughan (listen to the slight dust in the tone when picked difficult. As well heed to the Hendrix version for a very different tone)

The more than different clean tones you can produce, the more flexibility you will have when writing your own music or trying to replicate somebody else's tone. And so listen out for any clean guitar and try to replicate it with your amp.

Using Pedals or Your Amp For Your Proceeds

A skillful overdrive/distortion pedal tin can be a great culling to using your amp's bulldoze

Now that you lot have experimented with getting a good clean tone and you have a good feel for your amp's controls, you can turn to a distorted/overdriven tone.

There are ii main ways you can get a baloney/overdrive tone: utilise a pedal or apply your amp. The right option for you depends on what gear you have available and what sounds yous want to produce. Quite ofttimes a person gets frustrated with their amp because they're unhappy with the distorted tone they're trying to produce.

Experimenting with using pedals or your amp (or a combination of both) to produce your distorted/overdriven tone is a practiced starting indicate when getting the virtually out of your amp.

Some guitarists are adamant that your bulldoze tone should come from your amp while other guitarists are only as insistent that the all-time drive tones come up from pedals. I suggest that instead of limiting yourself to one way or some other, keep your mind open to all options.

One mean solar day you might find a pedal or amp that delivers a smashing tone so don't restrict yourself for now.

In my Guitar Furnishings Course, yous tin can hear examples of dissimilar ways to create a drive tone. You'll be able to compare an overdrive from an amp vs a pedal, and you'll learn how to 'stack' your drives for some incredible tones.

Getting a Skillful Drive Tone

Allow'south go through how to think about bulldoze tones and how to set up a good tone on your amp.

1. Retrieve virtually what you want out of your tone

The get-go thing to retrieve about before you starting time setting up a drive tone is what you desire to use the tone for. A lot of guitarists don't recall nigh this and end up with a sub-par tone as a outcome. The drive tone y'all create should friction match what y'all will play.

For example, if you're playing rhythm guitar in a band with two guitarists, turning up the gain too high or adding in effects similar delay can easily ruin your band'due south overall audio. People volition struggle to hear you in the wash of racket.

While your rhythm tone might sound great on your own, things change when you lot're playing in a ring. On the other hand, a high gain tone with delay can exist perfectly suitable when playing solos or lead lines. Then remember that the drive tone you use must match your situation.

Here are a couple basic examples of what type of drive tone works all-time for different things you might play:

• Metallic rhythm riffs: using a fairly low proceeds will bring the clarity out in your riffs. Too much gain might sound practiced on your own in the bedroom, just live or on recordings it can turn your tone into a mess. Lower gain gives you more definition to your riffs.
• Strumming power chords: a fairly low gain gives your chords more punch. Too low gain will thin out your tone and make the chords audio less powerful.
• Rock/metal solos and lead lines: higher gain volition give yous more sustain and help with whatever pinch harmonics you desire to add in. Adding in effects such as filibuster tin requite your tone a fuller sound.
• Blues lead or rhythm: your drive plays a big role in the feel and character of your playing. A warm overdrive that slightly breaks upwardly your clean tone tin can give yous plenty of inspiration. A highly saturated tone works when you desire more sustain – simply use your volume knob to roll the drive back and clean upwardly your tone as needed (similar to how Hendrix accomplished his clean tone while playing alive).

The showtime three examples above could all be found in the 1 vocal, so information technology's important to think that the tone yous create should match what you're playing. A song might start off with an intricate riff needing definition, then it might move into a power chord based poetry needing less gain.

When it comes fourth dimension for the solo y'all might find that some extra gain and delay allows your solo to shine.

While you lot could go away with having one drive tone for everything, y'all're not going to exist getting the best out of your gear. The best tone will change to match what you're playing.

2. Start with an appropriate pickup

It's hard to get a precipitous and punchy rhythm tone when you're using a single-whorl neck pickup. Information technology's simply every bit difficult to become a smooth and thick lead tone when you're using a high power humbucker on the bridge. So start off by choosing a pickup setting that matches the type of tone you will need. If y'all're unsure which pickup should work best, let your ears decide.

If you're an experienced player this might sound obvious, but it'south worth remembering that you should regularly switch between pickups when tweaking your amp's settings. Take a listen to how your unlike pickups affect your bulldoze tone and which pickups are the best fit for the drive yous come up up with.

3. Choose a suitable amp model (for modernistic digital modelling amps)

Your amp may accept a lot of models to choose from. Take the fourth dimension to acquire how each one sounds

Many modernistic amps will give yous a range of different amp models to choose from. This tin can frequently brand finding the right tone complicated as you're always wondering what the other amp models sound similar.

If y'all're non already very familiar with the dissimilar models your amp offers, have some time to get used to each one. Spend a few minutes with each model and jam with information technology. Get a experience for what way of music the model would arrange and whether you like the tone or not.

Later on doing this you volition probably discover that you lot similar a couple of the models and dislike the rest.

Discover the model that is the closest to the tone y'all're after without having to tweak anything. Information technology's possible to tweak other amp models to go the tone you lot're after, but get-go off with the basic amp model and endeavour to find the closest one.

Once you've institute the amp model that gets you close to the tone you're after, y'all tin move to the side by side pace.

4. Set the EQ flat and turn off whatever furnishings

Just similar with your clean tone, the goal is to start off with a very flat EQ bend so you get a experience for the amp'due south natural audio. You lot probably won't similar how it initially sounds, merely it's not a good thought to skip this step.

For at present, leave the gain fairly depression. We will adjust the proceeds later so don't worry if information technology isn't at the correct level. As long as your EQ is apartment and all your furnishings are turned off, move on to the adjacent step.

5. Spend a few minutes jamming with this tone

Retrieve that you desire to match your tone to a specific state of affairs (eg: chord strumming, atomic number 82, riffs, etc.). So brand sure you only play the type of stuff you want to use this drive setting for. That means don't jam with both lead and rhythm parts because yous volition want different things from your tone for those situations.

If you lot desire to get a proficient pb tone, play lead. If y'all want to fix a good rhythm tone, play the blazon of rhythm yous want to play.

Spend some fourth dimension jamming with this setting and try to think what you like or dislike most the tone. Does information technology audio muddied? Is it sparse? Does it take too much of a loftier-end bite? Remember near what you would like to change about the tone for a while earlier you make whatsoever tweaks.

6. Showtime fixing whatsoever problems you hear in your tone

Just like with your make clean tone, you should turn ane knob at a time to acquire how it affects your tone. Turning the bass knob upwardly or downwards with a drive setting can sound completely different from turning it up or down with a clean setting. So even if you lot followed the above steps with your make clean tone, you all the same need to get through the steps with your drive tone to learn how your EQ affects your tone.

Let's say your tone sounds too boomy when playing palm-muted riffs. Here is an case of how y'all should try to fix the problem:

1. First past checking to make sure the problem isn't with your pickups. Jam for a while with each pickup and take annotation whether the boomy sound changes or not. Continue through the steps with the pickup that gives y'all the least boomy sound.
2. Turn the bass knob down and jam for a flake. Did that fix the trouble? It probably did, but just for this exercise, plough the bass knob support so you can hear how the other settings might likewise change your tone.
3. Plough the mid knob downwardly. Did that set up the problem? Depending on your amp y'all might hear slightly less nail merely the tone volition probably sound slightly hollow. Turn the mid knob back.
4. Plough the treble knob upward. Did that fix the problem? You volition probably still accept the exact aforementioned boomy sound, but now your riffs have a 'sharper' or brighter sound. Turn the treble knob back.
5. Turn the proceeds downwards and adapt the volume up to compensate. Did that fix the problem? Information technology might accept partially fixed your problem depending on your amp.
6. Think about how each knob affected your tone. If any of the changes you lot made improved your tone, make that change now. In this case, information technology probably means you would lower the bass knob, slightly heighten the loftier knob and adapt the gain down slightly.
7. Once you lot make those changes, jam with the issue and retrieve about what farther tweaks you might want to make. Echo the steps until you lot discover the setting that doesn't need whatever more tweaks.

Remember that every amp is different so if y'all take a problem with your tone the only way y'all will solve it is to get through the steps above.

seven. Add in any effects you desire to use

A compressor tin can be an easy way to give your lead tone more than sustain and width

Depending on what you want to play, you might add in effects such equally filibuster or a compressor, or you might use modulation effects such as a phaser or chorus. Arrange the effect'due south settings to adapt your tone. You might also need to make slight tweaks to your amp's settings subsequently you lot add together in any pedals, but they should really be only minor tweaks.

8. Adjust your gain to the right level

Once you have added in whatsoever effects, you can at present adjust the gain to discover the platonic level. Start with the proceeds turned right downward and slightly turn it up a little bit at a time while jamming. Every time yous plough the gain up, think to yourself whether the change improved your tone or not.

You will find that at a sure indicate calculation more gain doesn't improve your tone. When y'all achieve that point, start slightly rolling off the gain and ask yourself whether it improves the tone. You volition probably detect that you lot tin curlicue a fair scrap of gain off before information technology starts feeling like you're taking away from your tone.

Your ideal gain level is somewhere between those 2 points. It'southward not an exact science and then leave your gain at a level where you feel happy with the result.

9. Write down the settings y'all used for this drive

Writing down the verbal settings you employ forth with whatsoever notes such as what you similar most the tone or what type of playing information technology suits is a great fashion to learn how to get the most out of your gear.

Every time you come up with a new drive tone, write down notes so yous tin can reproduce it. In a yr'south fourth dimension, you might accept 20 unique drive tones and exact settings to reproduce them as needed. Or if you lot record a song with a sure tone, you now have a way to reproduce that tone exactly.

Not only is this a good style of keeping a record of the tones you come with, but it helps yous learn to get the nearly out of your amp. I've seen a lot of students struggle with their tone considering they don't larn from their experiences.

Written notes help you remember how and why different settings sound good or bad.

ten. Endeavor to replicate different drive sounds from unlike guitarists

Become through your music collection and pick out 5 completely unlike drive sounds. Try to find a mix of both rhythm and lead tones and in dissimilar styles if you can. The goal here is to see how wide you can button your amp.

Can you get a solid rhythm metal tone, a warm dejection tone, a loftier sustain atomic number 82 tone or a vintage rock tone all with your amp? If you take the time to experiment with your amp, you'll be surprised how many dissimilar tones you lot can attain – specially if you have a modelling amp.

Even if you but like to play i style of music, it's nonetheless worth trying to come up with unlike tones. Every fourth dimension you attempt and emulate a dissimilar tone, you larn how your amp works. So when you go back to your original tone, you will detect you lot can brand farther improvements to it. Information technology'due south worth the effort.

Get More From Your Amp

If you lot spend time applying the advice in this guide, you lot will learn how to get the virtually out of your amp. Don't await to rush through the above steps once and become an expert on your amp's tone. Information technology doesn't work that way. Your ears demand time to learn how your amp's EQ knobs affect your tone or how much gain is the platonic amount.

Practice getting to know your amp just like yous would practice a vocal. The more than fourth dimension you spend slowly going through the above steps, the better your tone volition become.

Guitar Effects Course

If you apply any guitar pedals or are thinking of adding effects to your rig, bank check out my Guitar Effects Form. The class gives a complete overview of the most mutual types of guitar effects, how they piece of work and how to go the best audio out of them.

The more you empathise guitar effects, the easier it is to employ them to craft a better tone. The guitar effects course will embrace everything you lot need to become the nearly out of any pedals you own.

Other Useful Guides

There's a lot more than you can do to achieve a good tone with your amp. Here are a few guides to help you go more out of your amp:

• vii Tips for a Great Guitar Amp Tone
• Can You lot Use a Guitar Amp every bit a Speaker?
• How to Play Electrical Guitar Without an Amp
• Unlike Types of Guitar Amps Explained
• Best Battery Powered Mini Portable Guitar Amps
• How to utilise the 4 Cable Method

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Summary

Article Name

Ultimate Guide to Guitar Amp Settings

Description

Looking for guitar amp settings for a style of music or specific tone? Let'due south do one meliorate and larn how to get the most out of your amp by ear.

Author

Aaron Matthies

Source: https://guitargearfinder.com/guides/ultimate-guide-to-guitar-amp-settings/

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